Saturday, September 12, 2020 9:30 am - 1:15 pm
William Burke-White / University of Pennsylvania
What does the international system of the future look like? Since the end of World War II, the answer has been an international order created by the United States and a coalition of like-minded states. That coalition has advanced a shared global vision rooted in economic liberalization, shared security commitments, and mutual values such as human rights. Today, however, disruptive forces are threatening the post-WWII international order. In a time of international crises ranging from Iran and North Korea to the health of the global economy, it is far from clear whether the international order as we know it can survive.
In the wake of World War II, the US and its allies constructed an international system that provided lasting stability and advanced their interests and values, including open economic flows, a US security guarantee, and core liberal values. Today, that system is under threat from 5 disruptive trends: 1) power shifts from the US to China and others, 2) the rise of populist nationalism around the world, 3) artificial intelligence and information transparency, 4) the rise of non-state actors, and 5) the threat of climate change. In light of these disruptive forces, can post-WWII order continue? Can liberal values survive? If not, what will global politics look like in the years ahead? This talk will conclude with three distinct visions of the global order that may emerge in the decades ahead. What might these different world orders mean for our economy, for our security, and for our values?
William Burke-White is the Richard Perry Professor and Inaugural Director of the Perry World House at the University of Pennsylvania. He served in the Obama Administration from 2009-2011 on Secretary Clinton’s Policy Planning Staff. He was also principal drafter of the Quadrennial Diplomacy and Development Review, Secretary Clinton’s hallmark foreign policy and institutional reform effort. Professor Burke-White has received the Levin Award and the Gorman award for Excellence in Teaching.
Stephanie Yuhl / College of the Holy Cross
From the kiss in Times Square to "Rosie the Riveter" to "Saving Private Ryan," Americans tend to cherish their memories of WWII as "the best war ever." Yet the Vietnam War remains controversial and brings up an entirely different set of images – from anti-war protests to Agent Orange to the film, "Born on the Fourth of July." What helps explain these radically different understandings of two wars only twenty years apart? Of course, things get even more interesting when we take into consideration the historical memories of the other nations involved in these conflicts.
In this course, we will examine how different societies remember these wars and what those memories might tell us about national hopes and values, about generational change, and even about decisions regarding the military. Animating this presentation is the notion that history is different from the past – it is the often contested way that the past is remembered in the present.
Stephanie Yuhl is a Professor of History at the College of the Holy Cross. She is a recipient of the Fletcher M. Green and Charles W. Ramsdell Award for the best article published in the Journal of Southern History, as well as the Inaugural Burns Career Teaching Medal for Outstanding Teaching. Professor Yuhl is also an Associate at the Harvard Graduate School of Design in the Critical Conservation Program, and an expert in twentieth-century US cultural and social history, with specialities in historical memory, social movements, gender, and Southern history. She is the author of the award-winning book, “A Golden Haze of Memory: The Making of Historic Charleston.”
Sean Hartley / Kaufman Music Center
Hamilton made history not long ago by receiving a grand total of 16 nominations for Tony Awards – ultimately winning a total of 11, including Best Musical. The phenomenon is part of a long lineage of musical theater productions that capture the public's attention and reflects the culture surrounding it. Broadway combines the thrill of live music with the compelling storytelling and drama of watching a movie or TV show and, when done with incredible care and sensitivity, the combination of the two can lead to something transformative.
Sean Hartley is the director at the Kaufman Music Center’s Theater Wing, the chair of the SMS Admissions Assessment Committee, and on the faculty of the SMS Chorus and LMS Dalcroze. He is the Producer/Host of Broadway Close Up as well as Broadway Playhouse. Sean is also a playwright, composer, and lyricist: Cupid And Psyche (Drama Desk nomination,) Little Women; Snow (ASCAP Harold Arlen Award.); Leaving Home. He is in residence at the Hermitage Artist Retreat in Sarasota.