Sunday, June 03, 2018 9:30 am - 1:15 pm
Jessica Payne / University of Notre Dame
What's going on in your head while you sleep? The research of Notre Dame Professor Jessica Payne shows that the non-waking hours are incredibly valuable for your day-to-day life, especially for helping to commit information to memory and for problem solving. If you ever thought sleep was just downtime between one task and the next, think again. The fact is, your brain pulls an all-nighter when you hit the hay. Many regions of the brain – especially those involved in learning, processing information, and emotion – are actually more active during sleep than when you're awake. These regions are working together while you sleep, helping you process and sort information you've taken in during the course of the day. Professor Payne's research has focused on what types of information are submitted to memory, and has been instrumental in better understanding how the brain stores the information.
Sound interesting? It is. And useful too, as Professor Payne will outline all sorts of practical information on how to control your sleep habits to insure maximum productivity.
Jessica Payne is the Nancy O’Neill Collegiate Chair and Professor of Psychology at the University of Notre Dame, where she directs the Sleep, Stress, and Memory Lab. Her course, The Sleeping Brain, routinely sports a waitlist because of its immense popularity among Notre Dame students. In 2012, Professor Payne received the Frank O’Malley Undergraduate Teaching Award. She is also a two-time recipient of the Distinction in Teaching Award, and won the Award for Teaching Excellence at Harvard University’s Derek Bok Center.
Robert Greenberg / San Francisco Conservatory of Music
This presentation examines Western music as an artistic phenomenon that mirrors the social, political, spiritual and economic realities of its time. As such, the ongoing changes in musical style evident in Western music during the last millennia are a function of large-scale societal change and are not due to any particular composer's "creative muse." Starting with the music of Johann Sebastian Bach and the intellectual and spiritual climate of the High Baroque (ca. 1720), this program will observe the changes wrought by Enlightenment society on the music of the Classical Era (ca. 1780) as manifested in the work of Wolfgang Amadeus Mozart. This class will observe the impact of the Age of Revolution and Napoleon through a lens provided by the radical and experimental music of Ludwig van Beethoven (ca. 1810).
Other topics to be explored include the nature and conception of "the composer", Beethoven's gastro-intestinal problems (not pretty, but relevant), architecture and landscape design in the seventeenth and eighteenth centuries, and the applicability of the concept of "music as a mirror" to American popular music of the 1950s and 1960s.
Robert Greenberg has composed over fifty works for a wide variety of instrumental and vocal ensembles. He has received numerous honors, including being designated an official “Steinway Artist,” three Nicola de Lorenzo Composition Prizes and three Meet-The-Composer Grants. Notable commissions have been received from the Koussevitzky Foundation in the Library of Congress, the Alexander String Quartet, the San Francisco Contemporary Music Players, San Francisco Performances, and the XTET ensemble. He has served on the faculties of the University of California at Berkeley, California State University East Bay, and the San Francisco Conservatory of Music, where he chaired the Department of Music History and Literature and served as the Director of the Adult Extension Division. The Bangor Daily News referred to Greenberg as ‘the Elvis of music appreciation.'”
Carol Berkin / Baruch College
Most of us know that America's Founding Fathers attended the Constitutional Convention of 1787 in Philadelphia and drafted the Constitution of the United States. The delegates decided to replace the Articles of Confederation with a document that strengthened the federal government, with the most contentious issue being legislative representation. Eventually, a compromise established the bicameral Congress to ensure both equal and proportional representation. But a lot more happened as well – much of it underreported or misunderstood. That's the focus of this insider's look at the birth of American Government as we know it today.
The fact is, the Founding Fathers were ambitious. Also grouchy, scared, and hopeful. They told jokes. They fought. They schemed. They gossiped. They improvised. Occasionally, they killed each other (sorry, Alexander Hamilton). Only by seeing the Founders as real people -not icons- can we appreciate the full story of the nation's founding with all of its drama, humor, and significance intact.
Carol Berkin is Presidential Professor of History at Baruch College and a member of the history faculty of the Graduate Center of CUNY. She has worked as a consultant on several PBS and History Channel documentaries, including, The “Scottsboro Boys,” which was nominated for an Academy Award. She has also appeared as a commentator on screen in the PBS series by Ric Burns, “New York,” the Middlemarch series “Benjamin Franklin” and “Alexander Hamilton” on PBS, and the MPH series, “The Founding Fathers.” She serves on the Board of The Gilder Lehrman Institute of American History and the Board of the National Council for History Education.