What is the American Sound? Does such a thing exist in the realm of concert music? During the 1920s and 30s, composers, music critics, entertainment executives and audiences believed in the idea of an American Sound, and they worked hard to promote their various points of view in the concert hall, via newspaper articles, through advertising and on film. This course explores the origins of two quintessential American masterpieces — George Gershwin's Rhapsody in Blue and Duke Ellington's Symphony in Black — and their relationship to contemporary American culture. As participants will discover over the course of the presentation, Gershwin and Ellington knew one another, and they each looked to the music of the other when composing.
Both Rhapsody in Blue and Symphony in Black were composed in an attempt to capture the essence of the "modern" American experience and blur the lines between classical music, popular music, and jazz. Using film clips, music excerpts, and popular dance steps from the 1920s and 30s, Professor Celenza will introduce participants to the wide range of musical genres and styles that influenced Gershwin and Ellington (from spirituals, blues, and Klezmer music to Tin Pan Alley songs, opera, symphonic forms and Ragtime) and facilitate an open discussion concerning music's current role in defining American culture.