Monet lampshades, Van Gogh wallpaper, Picasso mugs, Jackson Pollock silk scarves, Guerilla Girls tea towels … it’s easy to think of modern art as an effortless lifestyle adornment. But each great leap forward in art was accompanied by – if not the direct result of – radical ideas and world-changing manifestos. This lecture charts the rise of radical thinking in modern art, from its origins in the 1870s – sparked by the choice of a single word – to the revolutionary movements of the early 20th century and the conceptual experiments of the 1960s, unearthing truly radical thought in everything from an apple to a bicycle wheel. We’ll look with fresh eyes at some of the greatest modern artists, including Monet and Cézanne, Picasso and Duchamp, Donald Judd, and Carolee Schneeman, to rediscover the progressive thrust of their work, and to re-examine how they were, in their very different ways, attempting to create entirely new worlds.
Who’s Afraid of Contemporary Art?, by Kyung An and Jessica Cerasi
The Contemporary Art Book: The Essential Guide to 200 of the World’s Most Widely Exhibited Artists, by Charlotte Bonham-Carter and David Hodge
Radical Art and the Formation of the Avant-Garde, by David Cottington
Art Since 1900, Volume 1: 1900 to 1944, by Hal Foster, Rosalind Krauss, et al
Art Since 1989, by Kelly Grovier
Contemporary Art: World Currents, by Terry Smith
1. Is the greatest art in any era always the most radical?
2. Is the commercialization of art, in your view, something to be celebrated or resisted?
3. Who is the “father” of modern art: Cézanne, Picasso, or Duchamp? Why do you think so?
4. Is breaking with tradition essential for the development of art and culture?
5. Does radical art always tend towards abstraction, or can figuration be equally revolutionary?
6. What do you think the next radical leap forward in art will be?